Being in the position of the sound-recordist, I tried
to create sounds that could have been suitable for the kind of short film we
wanted to make – an abstract one, based on the story of a girl who wakes up in
her own fantasy world, still unknown for her, full of bright and vivid colours.
Therefore, we had a lot of various shots and also a diverse range of noises, as bird singing, strong and mild wind, rocks thrown onto the ground, loud tapping sounds, pieces of metals scratching the ground or other metallic objects, footsteps, airplane and train sounds. Although that the rough files are always important, here however, the editing part played the lead role and helped the short film to take the form desired initially.
Therefore, we had a lot of various shots and also a diverse range of noises, as bird singing, strong and mild wind, rocks thrown onto the ground, loud tapping sounds, pieces of metals scratching the ground or other metallic objects, footsteps, airplane and train sounds. Although that the rough files are always important, here however, the editing part played the lead role and helped the short film to take the form desired initially.
Because of the colourful
pattern we followed, the chosen title was ‘Pigment’, describing the strong
shades that wrapped the girl’s singular world, brought by her imaginary friend’s
presence.
I can reference this
work to the feature film ‘IT’ (Andres Muschietti, 2017), speaking of its overall form, along with the ‘yellow’
hues, colour that transforms into a motif in both films: the yellow-coloured jacket
bring the unusual vibrant shades in the short film, while in the Muschietti’s
movie, this colour is a sorrow bringer, a bait used by the merciless clown to enhance
the hollow in Ben’s chest and a link to the bloody red tint, connection that
helps the story to develop in the horrific manner.
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IT - a feature film by Andres Muschetti (Director).
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